rave on 7 inch fomat ... thats new!!!

storming, hard hitting, no-prisoners-taking techno rave

catchy blirping electro rave tracks

32 tracks that defined the sound of nature one festival through the years 1995 - 2019 on limited edition 4x12 inch vinyl.

strong rave tracks

dawl debüt bei libertine records mit 4 tödlichen acid-rave tunes.

innercore return, this time with four killer old school back to 92 piano hardcore tracks. no cheese, just dance floor vibes.matt teksteppa wilkins introduces to you the innercore project volume 2, this time the aim was to capture the 92 piano rave feel, and there is also a jungle techno style track on the ep for good measure! since releasing volume 1, innercore have had releases with other label such as peace on wax records, kniteforce records, and other signings are in the works! you can also catch innercore djing up and down the uk at various events including calling the hardcore . innercore s music is also being supported by some major key players in the old skool hardcore scene, such as billy daniel bunter and dj shock c (eclipse/amneisa house). remastered and recut by music preservation society

following on from the last dext limited release by otik & dead mans chest we’re kicking off 2019 in fine style with another limited 10” vinyl cut with the same ethos as the previous release’s , 1 rave banger with a killer remix on the flipside. this time we have invited glasgow s party starter and long-time label supporter nightwave to join the crew and it seems like she has been here all along. psychic tonic is exactly what we are all about rolling breakbeats and thunderous kick drums and is the perfect addition to the dext ltd series. and if that s not enough, another of our favourites jerome hill (super rhythm trax) comes along for the ride, and flips it totally on its head on the remix

the swiss kumquat label counts on its discography with most referential artists from argentina. this time is an honor to edit a mystical collective. pioneers of techno sounds in buenos aires, a group of resident djs and producers that in year ‘94 performed with analogic equipment and started first raves and afterhours throughout the country. so it was born urban groove aggrupation during the rave explosion of the 90’s.

rave techno tracks!

bangin techno / rave

90s rave and industrial flavoured techno

new york based artist x-coast brings in the new year with an absolute smasher of an ep that ventures into high octane house, rave-infused jungle, turbo euphoria territory. big miz and tommy holohan heating things up on remix duties.

limited 2019 repress , black vinyl- no need to say much about thomas p. heckmanns silent breed project, that turned, twisted, smashed and rocked big time in the 90s and into the new millenium ! acid fucker is still a must at every decent acid rave, sync in crashed the dummies of the german trainspotters

eternity and a day. in the early nineties automation were the masters of uk rave. 27 years later its about time to refresh one of their finest moments. extended original version comes with three stunning remixes.

involve records welcomes one of italys finest newcomers, the berlin-­based artist alignment, who makes his debut release on the label with a four-­cut ep of raw techno with acid influences. fast beats that aim directly to the dancefloor, together with some serious melodic work. another release on regals etiquette that hosts some fresh sounds from the new generation of techno.

emerging producer patrick conway delivers the goods on the second ep to be released on art e-fax. e-fax002 is a selection of submerged breaks, dark and spectral bass grooves and washed out melodies all combining to make release that is as eerie as it is infectious. a producer who describes his influences as being -transcendental meditation, uk rave, sheffield bleep/warp records, carl craig circa the early 90s, silent servant, shabba ranks and joss sticks smoking out the studio-, it s not hard to hear the shadowy, dense smoke and heavy calm that unifies those inspirations.

eine mischung aus acid-rave und electro, sehr zu empfehlen für die starke tanzflächen!

cool label splitt release with rave tracks! hot

debut physical release from scottish newcomer andrew greens aka ash is. hailing from edinburgh and at the heart of club culture in his city, he is running parties and sharing stages with the likes of baltra, bwana, and other forward thinking international artists. this release comes packed with 3 affecting club tracks, each serving a different purpose. ash is fuses elements of rave, house, techno, and electronica to serve up moments of euphoria & tenderness. fluttering arpeggios, dusty breaks, warm pads & feeling laden melodies often feature, capturing a sense of post-club emotion. these are three heavy hitting cuts that truly carve out a lane of his own.

dj hell welcomes romina cohn back on his successful international deejay gigolo label. the three techno floorfiller will represent her very good feel for atmospheric dance mood

blistering rave and acid by the notorious posthuman duo - taking it up a notch or two on the energy meter when compared with their slomo-acid approach to many of their preceding records.

harder rave acid tracks

from freak-out to chill-out, montreals favourite rave band joins naff with a debut double lp.

in the late 80s i started listening to uk radio stations when i was a little kid and i instantly fell in love with the acid sound and rave movement that was portrayed on those uk dance shows. when i got old enough to attend clubs and warehouse raves, to experience the movement first hand, it was a nobrainer for me that the music and the lifestyle was my call. lately…. in my dj sets and when producing music… i have been time travelling back to those days. back to how i remember the music i fell so deeply in love with and that is exactly what you hear on this “done/undone” release. for the “done” track i teamed up with cari golden to have a female spoken word and a great message to build the music around. i always prefer to do original vocal recordings rather than using samples. cari understood 100% what i was after and i love the lyrics and execution by her. the spoken word is centered, very clear and deep to contrast the constantly building intensity of the acid patterns and thumping beats. “undone” is instrumental and has a more straight forward flow to it. it’s quite simple although the shifting groove patterns might surprise some. i was torn between two different acid patterns and decided to drop one of them as a surprise change. playing the track in clubs i quickly learned that the change of dynamics had a great effect. both tracks have been wrapped in dark-themed chords and atmosphere. both tracks have my take on the sound i fell in love with years ago and obviously still love today. i hope you like what you hear.

dj different steps up on lobster with a 5-track ep of breakbeat, ambient, electro, jungle & rave. heaving kicks & soaring synths, this one is massive!

robuster 8-tracker mit viel 90er jahre einflüssen. limitiert auf 350 stück.

brand new lobster undr sublanabel for nostalgic, moody, deep & dark club traxx. first three from hidden spheres, andrew red hand + asok. from heady early 90’s manchester rave to dungeons & dragons electro and deep percussion heavy twisters. heavy productions & weighty goods.

wire parasitism ep is inspired by the electronic music which was produced during the end of the 80s and beginning of the 90s by the likes of richard h. kirk, psychic tv, coil, dave campbell or lagowski (to name a few). walid el barbir uses his unique producing & sampling skills to create contemporary and industrial sounding compositions out of found footage like occult documentaries, rave stabs or emax sound-libraries. walid el barbir is a part of the collective les points based in zürich, switzerland. his art/music draws from 90s rave utopias, occultism, progressive & accessible frameworks as showcased at their offspace mikro - a physical room which has no doors and opening times during exhibitions and raves - making an institution available to all social layers.

in the seventh ep to come out on his own imprint, labelhead dimi angelis serves up four tracks, each distinctively angls: bare and unassuming music. opening track “live chat events” leaves little space for actual conversation and immediately hits home with some thorough techno that reminisces of a bygone rave era which refuses to be forgotten. follow-up “index” continues that feel but switches things up by delving off the deep, ever so slightly distorted synth end. on the flipside angelis allows subtle percussion movements to do the talking in “lotus”. proper and powerful on its own, equally useful as a tool. “cosmodrome” closes down #007 and is the most introvert of the four with a unique, submerged sounding pattern that gradually builds and falls. an ep that will fit and improve any collection.

inclusive shan sunrise mix

very rare uk hardcore / uk rave ep

repress with green labels and green sticker on sleeve! luca lozano and dj fett burger return with part two of the three part hands of doom series. following on from the success of the recent sex tags ufo release, hands of doom 2 continues the tradition of early breakbeat and proto-rave inspired club tracks. three slices of rattling drums, low-end subs and bleeped out bleeps make for a cohesive and well informed ep and a welcome addition to the series. keep those peepers peeled for the third and final part, a full album from the duo on luca lozanos grafiti tapes series.

opia002 coming in thick and fast. four tracks. two artists. leading the way is steve marie, coming through with a refined combination of euphoria with a definite rave tinge. opiace is a pacey number from the off, with a bassline that creeps in and just keeps on coming back to get you. a dark and mysterious affair in yvar , driven and punchy, laced with peculiar voices.

after releasing abe security systems on the previous release, luis malon returns, this time with two tracks which take up the whole of the b side. a constant progression of obscurity and curious sounds from the south american artist in maybe forever baby . rounding off the ep is astrosonik , broken drums lead you to a place of otherworldly atmospheres, absorbing you in the trip. acquired grooves intelligently arranged by the young talent.

90s techno from spain

das debüt-album von dissy als limitiertes doppel-vinyl im klappcover, downloadcode inklusive. vinyl 2 enthält alle instrumentals.

after last years heartbreak hotel including the mighty glitter, here comes the new tb ep. wave house, disco noir, acid love, and an all roland gear slo-mo session of the early 90ies trance-rave classic schoeneberg by marmion. gerd janson noted sounds good when he dropped it at sven vaeths party on ibiza.

ltd to 100 copies, old skool techno / rave / breakbeat

rekids welcome tripeo on their label with strong techno tunes

if there s one thing wolf music know a thing or two about, it s house music. so its no surprise then that they ve decided to reissue a golden 2003 deep house nugget in the form of brs (british rhythm services) spring dom. reissued from the original dat tapes spring dom is one of those timeless records that even 15 years on sounds as soulful as it did when it first hit the racks. echoed sweeping stabs, chunky drum loops and powerful synth flurries alongside those mesmerising vocal refrains, all tied together with a driving bassline - this is deep, deep goodness of the highest degree. reworking spring dom for the present day, wolf mainstay medlar provides a rave tinged remix, chopping the vocals and reworking the synth lines to give it a peak time, dancefloor demeanour. the flip houses the other two tracks from the original 03 release - clubtronic with it s ukg flavoured beat, m1 pads and jazzy free flowing melodies and miss you combining a bumping groove, dynamic bass melody and stirring rhodes chords. a much-welcomed reissue package from the wolf camp and a chance to own this house treasure without feeding the sharks.

xxx006 is created by the upcoming duo younger than me. with stellar releases on bordello a parigi and tusk wax with diverse music that ranges from disco to new wave to what they call themselves 90s rave euphoria. xxx006 can best be described with one word rave. artwork by raymond teitsma. played by: marvin & guy, job jobse, jennifer cardini, roi perez, discodromo, vladimir ivkovic, franz scala, perel, pional musiq, sean johnston, prins thomas, curses, simple symmetry, jason kendig, severino

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

aos’ boundless love for music is apparent in everything she does. as a producer, a dj, and an event organizer with seattle’s secondnature and tuf collectives, kayla waldorf’s vision eschews traditional categories and genre boxes in favor of an ecstatic spontaneity. her dj sets are well known for their playful energy and narrative threading between many different styles. violent light is aos’ first offering on secondnature’s own label, and it captures this playful essence. the title track’s stomping groove (complete with rave whistle) sets the tone, while lullaby and what/why move into headier territory composed of dusty synths stabs and clouds of vocal effects. finally, secondnature’s own fugal delivers a remix that flips what/why into a rolling depth charge.

touch of loft wax 002 see’s label head nathaniel garry step out on the a-side with a club ready deep house dj tool. jacking percussion lays a solid groove as electric piano chords and deep pads set the mood, topped off with chopped up vocal samples to get the crowd pumping. london’s timothy clerkin serves up an ebm rave for his remix on the b-side, with a thumping kick drum and arpeggiator bassline sitting under twisted and warped vocals from the original. grab it. pop it in your dj bag. with the a-side for the warm up and the b-side for the peak time slot.

hot on the heels of their debut collaborative ep, ‘exosphere’ - which picked up plays from violet, tone dropout’s dawl, jacques renault and timothy clerkin among many others - corporeal face and bufobufo are back with new trax that distil their love of electro, hardcore and acid into a lethal compound. lead cut ‘bleep inside’ mixes old school b-boy breaks with a steely sheffield bassline, ‘genome’ is a swung out excursion into sub-heavy acid house, sydney beat machine jensen interceptor turns ‘bleep inside’ into a percolating electro killer, and ‘molecular cloud’ is the explosive 140bpm meeting pointwhere warehouse rave and electro collide.

german producer and dj boys noize has announced the release of his much-anticipated cover version of adamski and seal’s 1990 rave classic ‘killer’ on 12&#8243, vinyl, via the vinyl factory and boysnoize records. featuring vocalist steven a. clark, the original 12&#8243, version is backed by an instrumental, both of which you can listen to below: as boys noize says: “being a ’90s kid i kind of grew up with this song which later became one of these tunes i’d play out at the end of the night. when i met steven and heard his voice for the first time i immediately thought of that track and the idea of doing a cover version was born. it was initially just for fun but it turned banging and lit the dance floors wherever i’d drop it.” adamski and seal’s original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the uk singles chart in the summer of 1990. speaking to journalist dave simpson in the guardian in 2013 seal explains the impact the song had on his career: “within a week, i went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name.” boys noize’ ‘killer’ is out now on 12&#8243, vinyl, limited to 500 copies.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.